Blog — Sarah Webb

Writing Historical Fiction for Children

Going Back in Time by Brian Gallagher

What’s the worst part of writing historical fiction?  That’s easy - facing the blank page each morning.  (Just like it’s the worst part of writing any kind of fiction.)  And what’s the best part?  That’s easy too – the sheer fun of stepping into a time machine every working day, and going back to a point in history that you find fascinating.

Brian Gallagher
Brian Gallagher

How many jobs are there where you get paid to imagine that you’re present as dramatic events from the past unfold?  Not many, I suspect.  But that’s what a writer of historical fiction does.  Which isn’t to say that it’s an easy job – far from it – but it is an interesting one, where no two days are the same.  And few things beat the thrill of sitting down to plan a new book and wondering what exciting period from the past you’re going to pick..

Readers often ask me was I good at history at school, and - shocking admission – I hated history at school.  Looking back now I can see that it  wasn’t actually history that I disliked, but rather the boring way that it was taught back then.  It seemed to be all about learning off lists of dates, whereas now I love history, but regard it as being about people, great and small, and what they did, and why.  And people, unlike lists of dates, are fascinating.

So when I sit down to write a new book the first thing I do is pick an exciting, action- packed period in which to set my story.  But my next priority is to populate the story with interesting, credible characters that the reader can care about.  So when writing about the past I want to know what people really cared about, but also what songs they were singing then, what kind of food they were eating, what were the hit films and books of the day.  I want to immerse myself in that world so that the reader too can travel back in time, and see things through the eyes of my fictional characters.

Writers have always used libraries to do this sort of research in the past, and today we have the internet to check up on all those tricky little facts and figures that can trip up an author.  For me though, the best research source is always people.  If I can find someone who has lived through the era I’m writing about, I know I’m likely to get the kind of telling detail that really brings a story to life.  And so, having done my research, created my characters, and worked out my plot, all that remains is to travel back in time - and start writing the book…

Brian's New Book
Brian's New Book

Why I Love History by Nicola Pierce

Well, I think it is that when I research subjects and events from the past, like the sinking of the Titanic or the most important battle of World War II, or the fearlessness of a walled city stubbornly locking out a king’s army I’m on the lookout for the story within the story. Perhaps I’m actually looking for my story within the story, the history.

Nicola's New Book
Nicola's New Book

For example:

What would I have done on the sinking ship, would I have tried to save anyone or would I have jumped into the first lifeboat available? Why do I think Titanic sank?

Would I have stood up to Nazi soldiers? I believe in peace but Hitler and his followers had to be stopped and there was no other way – was there? Would I have joined the army or would I have simply done my best to exist as quietly as possible?

How important is my religion? Would I have fought for it back in 1689/90? Would it have occurred to me that others should be free to practice the religion of their choice? If I had shut the gates of Derry against King James’ army, would I have continued to stand by my decision when children began to starve to death? Would I have gone for the soft option, anything for a quiet life? What is religion worth to me?

Ultimately, as I read my history books, I am constantly asking myself what I would have done had I been there.

As a subject history has always been my favourite, along with English, because it is crammed with great stories, great characters and lots and lots of gossip.

And I don’t care what year it is, people are people.

For instance when I read about King James, who fought King William at the Battle of the Boyne, I can empathise with the fact that, when he was sixteen, his father, King Charles I, was murdered by an angry mob. That must have been terrifying for a boy who was following in his footsteps to be both his father’s son and a king.

Then, in his later years, James converts to Catholicism, his mother’s religion, and thereby loses the love and respect of his two daughters. In fact William of Orange was his son-in-law so his family was ripped apart when James was obliged to leave England after William was invited by Protestant noblemen to invade. Now, that has got to mess with your head. As far as I’m concerned it explains why James’ heart wasn’t in the fight at the Boyne, he decided to retreat almost as soon as the battle was begun.

The story goes that King William didn’t put up a great chase when James took off back to Dublin. It would appear that William did not want to capture his wife’s father which probably would have proved mortifying for all involved.

And so on and so on. Really – I could go on!

When Sarah Met Judi

Judi Curtin
Judi Curtin

I can’t remember when I first met Judi Curtin. It was almost certainly at a book event. It could have been a festival or a launch or a reading drive. I knew her writing of course, I’d read and enjoyed her first book, Alice Next Door when I was a children’s bookseller and I’ve loved every book since. She has a way of drawing the reader in and a lovely warmth to her writing, and her characters are so real they almost jump off the page. But I can pinpoint when we started to become not just fellow writers, but proper friends. A few years ago myself, Judi and Sophia Bennett went on tour together around Ireland with Children’s Books Ireland. We talked to hundreds of girls about our books and about reading and writing. We had a wonderful tour manager, Tom Donegan, who now works in The Story Museum in Oxford.

Here’s Judi

Every evening we had dinner together. We chatted about all kinds of things – books, writing and our lives – and it was terrific fun.

Then I went on another tour with Judi, this time with the Irish library service. We took Oisin McGann along with us to join in the fun. And he even did ballet with us! That cemented my friendship with Judi (and Oisin in fact, who is a brilliant man and a wonderful writer).

Judi and I are very different – she’s practical, patient and kind. I’m impulsive, passionate and stubborn. She’s calm and I can be a bit manic at times. It’s great to be able to compare writing and publishing experiences with her. We both write for girls of age 8/9+ and love talking about our work.

Judi has helped me more than she knows and I like to think that I have helped her too. Myself and Oisin even helped her pick a title for one of her books – Viva Alice!

viva alice - judi curtin event book cover
viva alice - judi curtin event book cover

Judi made me this little fellow – Greg from the Wimpy Kid books – as she knows I like him. When I go to school events, I love showing him to the children and telling them that Judi made it. They are always very impressed that I know Judi.

IMG_5156[2]
IMG_5156[2]

This year Judi and I are doing some special events together at festivals, talking about our friendship. The first one is on Saturday March 21st and is called When Judi Met Sarah and it’s part of theMountains to Sea Book Festival in Dun Laoghaire, Co Dublin, Ireland. If you would like to book tickets you can do so on the website here.

Songbird Cafe_Mollie final cover
Songbird Cafe_Mollie final cover

March is a busy time for me as I also have a new book out called Mollie Cinnamon is Not a Cupcake in The Songbird Cafe Girls series. It’s set on an island called Little Bird and it even has its own map. I love maps in books! Judi knows all about the characters and plot at this stage and she also helped me with the cover.

Writer friends really are great.

Yours in writing,

Sarah XXX

This blog first appeared on the Girls Heart Books website.

Darkmouth by Shane Hegarty - Review

It's about to get Legendary all over Ireland

Sarah Webb on the first in a new fantasy series by the arts journalist, Shane Hegarty (review first published in the Irish Independent)

shane hegarty
shane hegarty

Shane Hegarty, a well-known arts journalist, made his own headlines in 2013 when news broke of his six-figure children's book deal following a frenzied auction at the Bologna Book Fair. His debut children's novel, Darkmouth, the book that caused all the excitement and cheque waving, is published next week. So does it live up to the hype?

The answer, in a word, is yes. I haven't been this excited about a fantasy adventure novel since I read Derek Landy's first Skulduggery Pleasant book in 2007. Interestingly, Hegarty and Landy share the same publishing house, HarperCollins, and the same publicist, Mary Byrne, one of the best in the business. (Not that Mary Byrne, although she is Irish!) If anyone can make Darkmouth a successful international brand, she can.

The book opens in the rather Dickensian, mist-swirling town of Darkmouth, the last 'Blighted Village' in Ireland that still has 'Legends' or monsters, terrifying man-eating creatures from myths and fables. Enter 12-year-old Finn, the youngest of generations of Legend Hunters. The future of Darkmouth rests on his shoulders, but there's one major problem: Finn is more likely to run away from a Minotaur rather than successfully shoot one with his Ghostbusters-nod Desiccator gun.

His father, the Rambo of Legend Hunters, is determined to change this and his son's gruelling training begins. But when the village is threatened with the worst attack of Legends ever encountered , will Finn rise to the challenge?

It's hard to believe that this is Hegarty's first children's book. His characters, including Finn's mysterious and plucky new friend, Emmie and the 'Hogboon' from the 'Infected Side', Broonie, are beautifully crafted and utterly believable. There are hilarious scenes and brilliant wise cracks that reminded me of Eoin Colfer's Artemis Fowl, balanced with gentle family scenes between Finn and his hilarious and hard-working dentist mum, a character who will have bedtime-story reading mums cheering out loud. Kudos to Hegarty for making an adult woman in a fantasy-adventure novel not only super smart but witty too. The difficult relationship between Finn and his ambitious and testosterone-driven father is also touching and real.

Darkmouth_Front_RGB2 (1)
Darkmouth_Front_RGB2 (1)

Hegarty's writing has an attractive lightness of touch which is spot on for the nine-plus age group and now and then his character's clever life observations make you sit up and take notice. It's slightly slow to get going, as Hegarty has a lot of world-building to do, but once the action kicks in, it's a rollercoaster of a read.

The story is enhanced by the magnificent black and white line drawings by James de la Rue. Illustrations in children's novels are making a comeback and it's a brave and savvy move, one that will make this book stand out in the international fantasy-adventure fray.

Book two in the series, Into the Infested Side, will be published in July, so readers don't have too long to wait for their second Darkmouth fix. With a cracking story, eye-catching cover design and catchy but simple tag line: 'It's about to get Legendary', I think the clever folk at HarperCollins may have another superstar writer on their hands. Watch out, Landy, there's a new kid in town!

Darkmouth; Shane Hegarty; HarperCollins, hdbk, 416pp, £9.99

Sarah Webb's new book for younger readers, The Songbird Café: Mollie Cinnamon is Not a Cupcake, will be published in March

My Predictions for the Children's Books Ireland Awards 2015

In March the shortlist for the Children's Books Ireland (CBI) Book of the Year Awards will be announced. Over the last few years I've put together my predictions for the shortlist. (Purely my own opinion. I am on the CBI Board but not on the judging panel.) You can see the predictions for last year here and the previous year here. The shortlist is for books published in 2014 and covers all age groups and all genres (fiction only). It includes books published in the Irish language. The writers/illustrators must be Irish or resident in Ireland.

2014 was an interesting year for children's books, with some stand out YA novels (young adult) in particular.

So here's my list. See if you agree with my choices - I'd be interested to know what you think. There are usually 8 to 10 books on the list. All the categories are not always awarded - eg Special Judge's Award.

louise oneill
louise oneill

CBI Book of the Year Award 2014

I would like to see Louise O'Neill win this award for her stunning YA novel, Only Ever Yours. However it may not as it tends to divide opinion. I think it's brave, original and still has people talking about its characters and plot over six months after its publication.

 Eilís Dillon Award (first book)

Again, Louise O'Neill. It has happened before. In 2011 (awarded for a book published in 2010), Chris Haughton won both for A Bit Lost. Kim Hood could also be a contender for this award for Finding a Voice. It will depend on the judge's preferences.

shh we have
shh we have

 Honour Award for Illustration

For me this is a toss up between Chris Haughton for Shh! We Have a Plan, a glorious picture book with glowing illustrations and Oliver Jeffers' clever and beautifully produced Once Upon an Alphabet. I'll go with Chris.

 Honour Award for Fiction

sarah crossan book cover
sarah crossan book cover

I'm not sure about this award as it makes no sense to award Louise O'Neill the overall prize but not to give her this one also. Unless this prize is for the second best novel. If it's for the best, then Louise O'Neill. If it's for the second best, then for me Apple and Rain by Sarah Crossan and The Apple Tart of Hope by Sarah Moore Fitzgerald stand out. I still can't understand why Sarah's first book was not shortlisted last year. Back to Blackbrick is a great YA novel. 

 Judge's Special Award

This is not awarded every year - and I'm not sure it will be this year, unless Oliver Jeffers' Alphabet qualifies. Of course being completely biased (as I edited it), I'd love to see Beyond the Stars shortlisted. But as it's a collection of 12 stories and 12 illustrations, all by different creatives, it may not fit the award criteria. We shall see.

Shortlisted Titles

Other titles I believe deserve to be on the shortlist are:

yasmeen image 1
yasmeen image 1

Specs for Rex by Yasmeen Ismail 

A fun, fresh book with wonderfully lively illustrations and colours that sing.

Brilliant by Roddy Doyle, illustrated by Chris Judge

A book with a lot of heart with astoundingly good illustrations by Chris Judge. I'd shortlist it for them alone, but together they make a cracking team.

City of Fate by Nicola Pierce

If the judges like historical fiction, they may shortlist this strong novel about the Battle of Stalingrad.

I've already mentioned Apple and Rain and The Apple Tart of Hope on the YA end of things, but I'd also add Mr Dog Bites by Brian Conaghan, a moving with some of the best teen dialogue I've ever read in an 'Irish' YA novel (Brian lives in Ireland).

Other possible contenders:

The Fish in the Bathtub by Eoin Colfer

Skulduggery Pleasant: The Dying of the Light by Derek Landy

The Black North by Nigel McDowell

Irish language:

Pop! by Andrew Whitson and Caitríona Nic Sheáin

Songbird Cafe_Mollie final cover
Songbird Cafe_Mollie final cover

Watch out for my new book, The Songbird Cafe: Mollie Cinnamon is Not a Cupcake which will be published in March by Walker Books.