Blog — Sarah Webb

Pre-publication Nerves

amy4
amy4

Out Next Week!

I have two books out this month – Ask Amy Green: Love and Other Drama-ramas and Sally Go Round the Stars: Rhymes from an Irish Childhood – and as always I’m dreadfully nervous. Will readers like them? Will they pick them up in a bookshop? Will they buy them? Are the covers right? Did I find all the typos? This morning I woke up at 6am, my head already full of my To Do list: finish putting content on my new website (more on that in a second), write Amy 5, think about the short story I have to write for a Walker Books anthology called ‘And Then He Kissed Me’, write articles for the launch of both books, write this blog, and let’s not mention the tax return hanging over my head or the rewrite of Shoestring 2! I also programme the children’s section of a book festival, Mountains to Sea in Dun Laoghaire which starts in, gulp, a week.

My new website is almost ready to go live – on 6th September. Lisa, the designer has done an amazing job. It’s fresh looking and easy to navigate, it has a Facebook feed and all kinds of clever things like a media box (for video clips and photos). I’ve updated all the content and added lots of new content, like exclusive background details to all my books – how the titles were picked, where the idea came from etc. I’ve very proud of it and I can’t wait to share it with you all in September. I will of course be continuing my writing blog, and do please keep reading!

Writers at every stage of their careers are riddled with doubts and insecurities, especially around publication time. I’ve written eleven adult novels now (nine published, two out in the next two years), I’ve written four Amy Green novels, and lots of other children’s books, but I’m still horribly nervous about the reaction to each and every new book.

Seeing your new book on the shelf for the first time is terrifying, yet exhilarating. Not seeing it on the shelves when it’s supposed to be there is of course, far worse! I’m in the very lucky position of having publishers behind me who believe in my work and do all they can to edit, market and promote my books to the very best of their ability. And I try to do my part, writing articles for papers, magazines, blogs and websites, being interviewed by journalists on all kinds of things – yesterday it was on proposing to Ben, my partner, for the Irish Examiner – visiting the bookshops to say hi to the booksellers and to sign stock, doing school events, library events, festivals. Around publication time I generally set aside a full month to work on the publicity side of things. There is no point spending a whole year writing and rewriting a book and then just sitting back and letting it find its own way in the market, I like to get out there and do as much as I can to help it on its way.

I know some unpublished writers look forward to the bookshop visits, the interviews, talking to school children or reading their work to adults, but many don’t. After over fifteen years writing and publishing books, I guess I’m just used to it; but publication month never gets any easier – it’s exciting, joyful, stressful and exhausting. But you have to embrace all the publicity and the marketing for what it is – part of every writer’s job. And I’m very, very grateful that people actually want to read my articles, want to interview me, want me to visit their students. October is Children’s Book Festival month and I’ll be travelling around the country talking to young readers about writing and my books. But in November it’s back to my desk to finish Amy 5. And I’m already looking forward to it. Sometimes I think publication month is there to send us writers scurrying back to our desks with added dedication and vim, ready to type again until our fingers throb.

But in the meantime I’m going to take a deep breath, jump into September head first and embrace all the madness of publication month. And now I can cross ‘write blog’ off my To Do list!

Yours in writing,

Sarah XXX

A Who's Who of Popular Fiction Agents

Who is Marian Keyes’s agent? Who looks after Cathy Kelly and Sheila O’Flanagan? Who helped Melissa Hill climb to the top? If you write popular fiction, live in Ireland and would like to get published, these are the agents to try first as they have a proven track record with Irish authors. Now, because they have such high flying clients they may not have the time to take on new authors, but if they spot talent, they may pass you on to another agent in their company.

I secured my first agent (who was with Curtis Brown at the time) via a recommendation by Cathy Kelly. This agent and I have since amicably parted ways, but I found my new agent via another writer friend, the wonderful ‘Vampirate’ Justin Somper. I’m currently represented by Peta Nightingale in Lucas Alexander Whitley on the adult side (I also write for children). I’m her only Irish popular fiction client, but many of the other agents on my list have several ‘Irish girls’ in their stable, such as Sheila Crowley in Curtis Brown.

Peta has been a wonderful asset in many different ways. She worked as an editor for many years and has a brilliant eye for plot and character. She’s very honest and she pushes me, makes me want to be a better writer, which is vital at this stage of my career. When it came to writing my new book, The Shoestring Club (due early 2012), her help was invaluable.

These days having ‘potential’ isn’t enough, your manuscript must be as perfect as you can make it before it goes anywhere near an editor – this especially goes for popular fiction. A good agents can play a vital role in this process.

If you are looking for an agent, Godspeed. Hopefully this list may help you in some small way.

Yours in writing,

Sarah XXX

Who Represents Who? Irish Popular Fiction Writers and Their Agents with Contact Details c/o Sarah Webb www.sarahwebb.ie

Remember to check each agent’s website before you send anything out for submission guidelines.

Maeve Binchy is represented by Christine Green

Tel. 020 7401 8844 info@christinegreen.co.uk Christine Green Authors' Agent 6 Whitehorse Mews Westminster Bridge Road London SE1 7QD

Marian Keyes Cathy Kelly Monica McInerney are all represented by Jonathan Lloyd (also CEO of Curtis Brown)

0044 (0)20 7393 4418 lucia@curtisbrown.co.uk

Sheila O’Flanagan is represented by Carole Blake

Blake Friedmann Literary, Film & TV Agency 122 Arlington Road London NW1 7HP

Telephone: 020 7284 0408 Fax: 020 7284 0442 email: info@blakefriedmann.co.uk

Cecelia Ahern is represented by Marianne Gunn O’Connor Marianne represents Claudia Carroll, Anita Notaro and Sinead Moriarty

Marianne Gunn O'Connor Literary Agency Morrison Chambers, Suite 17 32 Nassau Street, Dublin 2 mgoclitagency@eircom.net

Melissa Hill is represented by Sheila Crowley Sheila also represents Emma Hannigan, Sarah Harte

00 44 (0)20 7393 4492 crowleyoffice@curtisbrown.co.uk

Sarah Webb is represented by Peta Nightingale at LAW (LAW also represent Sophie Kinsella – Irish name, but not actually Irish!)

All submissions should be sent, in hard copy, by post to: LAW, 14 Vernon Street, London, W14 0RJ www.lawagency.co.uk

Clare Dowling is represented by Darley Anderson

Darley Anderson Literary, TV and Film Agency Estelle House 11 Eustace Road London SW6 1JB Tel: 020 7385 6652 Fax: 020 7386 5571 Email: enquiries@darleyanderson.com

Marita Conlon McKenna is represented by Caroline Sheldon

www.carolinesheldon.co.uk 71 Hillgate Place, London W8 7SS

Patricia Scanlan is represented by Lutyens & Rubenstein Literary Agency

www.lutyensrubinstein.co.uk 21 Kensington Park Road, London W11 2EU

Other Recommended Popular Fiction Agents:

Madeleine Buston at Darley Anderson

Darley Anderson Literary, TV and Film Agency Estelle House 11 Eustace Road London SW6 1JB Tel: 020 7385 6652 Fax: 020 7386 5571 Email: enquiries@darleyanderson.com

Lizzie Kremer at David Higham David Higham Associates 5–8 Lower John Street Golden Square London W1F 9HA Switchboard: 020 7434 5900 Fax: 020 7437 1072 E-mail: dha@davidhigham.co.uk